Making Visual Connections

By: Amalia Wojciechowski, assistant director and collections curator on November 30th, 2022

I had the opportunity over Thanksgiving to visit the Philadelphia Museum of Art’s Matisse in the 1930s exhibition. While there, I was struck again by the vividly apparent connections between Matisse and the Wisconsin-based artist, Ruth Grotenrath – something I had thought about while curating Midwest Modernisms, on view at the Woodson Art Museum through January 29, 2023.

A painting showing two birds through a window. A teapot, cup, and bright red flower sit on a table in front of it.

Ruth Grotenrath, Untitled, ca. 1960, casein on Japanese paper, 19 1/2 x 12 1/4 in., gift of the Schomer Lichtner Trust and Kohler Foundation, Inc.

A painting shows half of a room with an armchair, decorated ceiling, and open window with white drapes and a view of the sea.

Henri Matisse, Interior at Nice (Room at the Beau Rivage), 1917-18, oil on canvas, 29 x 23 3/4 in., Philadelphia Museum of Art, A.E. Gallatin Collection, 1952, © 2022 Succession H. Matisse / Artists Rights Society (ARS), New York

In 1930, 61-year-old artist Henri Matisse (1869-1954) was exhausted; following his earlier success and immense contribution to modern art, he struggled with his newly tepid feelings about painting. It was a 1930 commission by collector and modern art enthusiast Albert Barnes that revivified this interest. The project – a three-panel oil-on-canvas mural entitled The Dance – was installed at the Barnes Foundation in Philadelphia. In Matisse in the 1930s, curator Matthew Affron asserts the commission revitalized Matisse’s creative interests and propelled his career into the later experimental breakthroughs he achieved. Thinking about the project, Affron describes the exhibition as “really a Philadelphia story.”

In the same way, artist Ruth Grotenrath (1912-1988) can be understood as a Wisconsin story. Born in Milwaukee, she trained, exhibited, and taught in Wisconsin galleries and museums. Matisse was an influence. Her bright, flat planes of layered color and gestural depictions of everyday objects converge to create compositions reminiscent of Matisse’s style.

Whether in Wausau or Philadelphia, be sure to catch these inspiring exhibitions. These image pairings are a “sneak peek” into the visual connections I saw!

A painting shows a woman in a yellow and purple striped robe with green knee-high pants sitting in a pink armchair. A vase of flowers sits nearby.

Henri Matisse, Yellow Odalisque, 1937, oil on canvas, 21 3/4 x 18 1/8 in., Philadelphia Museum of Art, The Samuel S. White 3rd and Vera White Collection, 1967, © 2022 Succession H. Matisse / Artists Rights Society (ARS), New York

A painting of a vase of flowers with two birds sitting outside of the window.

Ruth Grotenrath, Untitled, 1962, casein on Japanese paper, 24 x 30 in., gift of the Schomer Lichtner Trust and Kohler Foundation, Inc.

A painting of a large bouquet of daisies sits on a white pedestal next to a green vase. An outlined figure in red sits next to it. A nude figure in outline rests above.

Henri Matisse, Daisies, 1939, oil on canvas, 36 3/16 x 25 5/8 in., Art Institute of Chicago, gift of Helen Pauling Donnelley in memory of her parents, Mary Fredericka and Edward George Pauling, © 2018 Succession H. Matisse / Artists Rights Society (ARS), New York

A print showing square fields of cut-out color, two chickens resting, and a butterfly.

Ruth Grotenrath, Untitled, undated, serigraph on gray Japanese paper, 37 x 12 1/2 in., gift of the Schomer Lichtner Trust and Kohler Foundation, Inc.

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