Gunnar Tryggmo, In the Sun, 2021, watercolor on Arches paper
Although Tryggmo occasionally works in oil paint, most of his work utilizes watercolor as he creates a delicate balance between realism and gestural representation to bring a scene to life. Watercolor is also the main medium I use in my own artistic practice, so I was thrilled to have the chance to arrange Gunnar’s artwork on the pages of the Master essay as well as draw inspiration from his work for other design details throughout the catalogue. I feel confident that the final product will be something Museum patrons will enjoy.
Gunnar Tryggmo, Balance, 2019, watercolor on Arches paper
My confidence in the catalogue’s end result doesn’t come from sitting at my desk and moving things around the computer screen. Working closely with Holly Van Eperen and the team at Reindl Printing, who produce the book, for the second time helps make catalogue creation run smoothly and makes the collaborative process even more rewarding. I have learned a lot from everyone involved and appreciate the support and encouragement I’ve gotten to push, shape, and execute my ideas into something that I think readers of this year’s catalogue will appreciate.
Gunnar tryggmo, A Grey Day, 2014, watercolor on Arches paper
The entire Museum staff has been working hard to make sure that this year’s exhibit, opening weekend, and accompanying programs are something everyone can enjoy and be proud of. To me, the collaborative planning and execution it takes to make something like this come together is the best part of any job. I think we all feel lucky to have the chance to use our skills and passion to carry on the tradition of Birds in Art and hope that the exhibition continues to help grow the creative culture blossoming in our community.
